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Summarize this content material to 540 phrases When Ivo van Hove first mentioned his “very darkish” imaginative and prescient of Mozart’s “Don Giovanni” along with his solid on the Metropolitan Opera, the main man had doubts.“He mentioned, ‘However is there no hope?’” the Belgian director recalled of his dialog with Peter Mattei.“And I mentioned, ‘Sure, however solely whenever you’re lifeless,‘” van Hove added. “When you’re lifeless, then the world can begin anew.“He mentioned Mattei “listened to it and absorbed it, after which he began to work with it. He’s that form of opera singer.”The Swedish baritone has sung the title position all around the world (together with almost 40 occasions on the Met), typically in productions that portrayed the Don as an enthralling albeit amoral rake.Van Hove is having none of that.“There’s such a misunderstanding that was created within the nineteenth century that Don Giovanni is a romantic hero,” he mentioned. “However within the first seven minutes of the opera you have got a rape try and a homicide taking place. When a girl screams for her life and tries to flee, there’s no enjoyable, no pleasure about it.”The opera opens with the Don trying to power himself on Donna Anna after which killing her father, the Commendatore. The libretto requires the older man to die in a duel, however van Hove turns the Don right into a cold-blooded killer who casually shoots his opponent.“The unique title was ‘Il dissoluto punito ossia il Don Giovanni,’ (The Libertine Punished, or Don Giovanni),” van Hove identified. “Mozart couldn’t have been clearer about his intention.”Depicting the Don as a “sociopath” might shock Met audiences who’re used to a considerably extra interesting portrayal, however normal supervisor Peter Gelb thinks it should resonate.“His assured tackle the unredeemable Giovanni appears excellent for the occasions wherein we reside,” Gelb mentioned.The director permits only one trace of one thing higher within the Don’s nature, and that’s when he encounters the peasant woman Zerlina and woos her within the well-known duet “La ci darem la mano” (“There you’ll give me your hand.”)“There’s a ravishing scene the place he will get intimate together with her,” van Hove mentioned. “I’ve directed it as tender, not like a rape. It’s a second you assume, oh, this could possibly be a person who could possibly be in a standard relationship with a girl.“However that additionally goes fallacious fairly shortly,” he mentioned. “He can not maintain again his actual urge, like a predator.”Set and lighting designer Jan Versweyveld — van Hove’s accomplice and longtime collaborator — has framed the motion on a road shadowed by buildings impressed by brutalist structure.“The homes have very tough pores and skin, and they’re drained of colour,” van Hove mentioned. “It’s form of as if you happen to enter into a really darkish place which reminds you maybe of hell.”A extra express model of hell seems on the opera’s climax. Van Hove has reserved his most spectacular impact for the scene wherein Don Giovanni is condemned to an eternity of agony by the ghost of the Commendatore.“It’s form of a shock, I feel,” he mentioned. “Let’s not spoil it.”The manufacturing, which originated in Paris in 2019, marks van Hove’s U.S. debut directing opera, however he’s well-known to New York theater audiences for productions resembling Arthur Miller’s “The Crucible” and “A View from the Bridge,” in addition to the musical “West Aspect Story.”If the “Don Giovanni” manufacturing appears a bit conservative for a person recognized for his creative use of video and projections, his subsequent Met project guarantees to be totally different. He’s opening the brand new season in September with the corporate premiere of Jake Heggie’s “Lifeless Man Strolling.”Gelb mentioned that manufacturing “makes use of Ivo’s signature reside digicam work, so in that sense it should extra intently resemble a few of his different stage works.”“Don Giovanni” opens Might 5 for eight performances, with the Might 20 matinee to be broadcast in film theaters reside in HD. Apart from Mattei, the singers embody sopranos Federica Lombardi as Donna Anna, Ana Maria Martinez as Donna Elvira and Ying Fang as Zerlina. Tenor Ben Bliss is Don Ottavio, bass-baritone Adam Plachetka is Leporello, bass-baritone Alfred Walker is Masetto and bass Alexander Tsymbalyuk is the Commendatore.The orchestra is performed by Nathalie Stutzmann, who’s making her Met debut. She can be conducting a brand new manufacturing of one other Mozart opera, “Die Zauberflöte,” which opens simply two weeks after “Don Giovanni.”SHARE:JOIN THE CONVERSATION Anybody can learn Conversations, however to contribute, you need to be a registered Torstar account holder. If you don’t but have a Torstar account, you’ll be able to create one now (it’s free)Signal InRegisterConversations are opinions of our readers and are topic to the Code of Conduct. The Star
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By Maggi

"Greetings! I am a media graduate with a diverse background in the news industry. From working as a reporter to producing content, I have a well-rounded understanding of the field and a drive to stay at the forefront of the industry." When I'm not writing content, I'm Playing and enjoying with my Kids.

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